Books with title See and Say

An observant boy sees many things on his way home from school. A dog, a truck, a bird, a butterfly. . . these ordinary urban experiences become artistic inspiration for the boy. When he gets home, he draws all of the things he saw. Now he can see them at home, too! Caldecott Honor medalist Ted Lewin’s magnificent, lifelike paintings transform the boy’s everyday walk into an enchanting exploration of his surroundings. Emerging readers will like the simple, repetitive text, and will challenge themselves to see what the boy sees—and more. An I Like to Read® book. Guided Reading Level B.

It is a melancholy fact, that this book is somewhat larger than the mould into which most of the fluid fiction material is poured in this degenerate age. You perceive, good reader, that it has run over—in the latest volume. Doubtless the Procrustean critic would say, "Cut it off,"—which point we waive. The book is really of very moderate limits—considering that two women had to have their say in it. It is pleasant to wear a glove when one shakes hands with the Public; therefore we still use our ancestors' names instead of our own,—but it is fair to state, that in this case there are a pair of gloves!—Which is the right glove, and which the left, the Public will never know

Susan Bogert Warner (July 11, 1819 – March 17, 1885), was an American evangelical writer of religious fiction, children's fiction, and theological works. Biography Born in New York City, she wrote, under the name of "Elizabeth Wetherell", thirty novels, many of which went into multiple editions. However, her first novel, The Wide, Wide World (1850), was the most popular. It was translated into several other languages, including French, German, and Dutch. Other than Uncle Tom's Cabin, it was perhaps the most widely circulated story of American authorship. Other works include Queechy (1852), The Law and the Testimony, (1853), The Hills of the Shatemuc, (1856), The Old Helmet (1863), and Melbourne House (1864). In the nineteenth century, critics admired the depictions of rural American life in her early novels. American reviewers also praised Warner's Christian and moral teachings, while London reviewers tended not to favor her didacticism. Early twentieth-century critics classified Warner's work as "sentimental" and thus lacking in literary value. In the later twentieth century, feminist critics rediscovered The Wide, Wide World, discussing it as a quintessential domestic novel and focusing on analyzing its portrayal of gender dynamics. Some of her works were written jointly with her younger sister Anna Bartlett Warner, who sometimes wrote under the pseudonym "Amy Lothrop". The Warner sisters also wrote famous children's Christian songs. Susan wrote "Jesus Bids Us Shine" while Anna was author of the first verse of the well-known children's song "Jesus Loves Me", which she wrote at Susan's request. Both sisters became devout Christians in the late 1830s. After their conversion, they became confirmed members of the Mercer Street Presbyterian church, although in later life, Warner became drawn into Methodist circles. The sisters also held Bible studies for the West Point cadets. When they were on military duty, the cadets would sing "Jesus Loves Me." The popularity of the song was so great that upon Warner's death, she was buried in the West Point Cemetery. Warner could trace her lineage back to the Puritans on both sides. Her father was Henry Warner, a New York City lawyer originally from New England, and her mother was Anna Bartlett, from a wealthy, fashionable family in New York's Hudson Square. When Warner was a young child, her mother died, and her father's sister Fanny came to live with the Warners. Although Henry Warner had been a successful lawyer, he lost most of his fortune in the Panic of 1837 and in subsequent lawsuits and poor investments. The family had to leave their mansion at St. Mark's Place in New York and move to an old Revolutionary War-era farmhouse on Constitution Island, near West Point, NY. In 1849, seeing little change in their family's financial situation, Susan and Anna started writing to earn income. Susan Warner died in Highland Falls, New York and is buried in the West Point Cemetery.

An observant boy sees many things on his way home from school. A dog, a truck, a bird, a butterfly. . . these ordinary urban experiences become artistic inspiration for the boy. When he gets home, he draws all of the things he saw. Now he can see them at home, too! Caldecott Honor medalist Ted Lewin’s magnificent, lifelike paintings transform the boy’s everyday walk into an enchanting exploration of his surroundings. Emerging readers will like the simple, repetitive text, and will challenge themselves to see what the boy sees—and more. An I Like to Read® book. Guided Reading Level B.

An observant boy sees many things on his way home from school. A dog, a truck, a bird, a butterfly. . . these ordinary urban experiences become artistic inspiration for the boy. When he gets home, he draws all of the things he saw. Now he can see them at home, too! Caldecott Honor medalist Ted Lewin’s magnificent, lifelike paintings transform the boy’s everyday walk into an enchanting exploration of his surroundings. Emerging readers will like the simple, repetitive text, and will challenge themselves to see what the boy sees—and more. An I Like to Read® book. Guided Reading Level B.

Excerpt from Say and SealDoubtless the Procrustean critic would say, Cut it off, which point we waive.The book is really of very moderate limits - considering that two women had to have their say in it.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.